The Interior Art Project
From Childhood
Wonder to Artistic Vision.
Since childhood, nature has been a place
of wonder for me; a world where I could lose myself for hours, captivated by
the smallest details. In my imagination, these details became entire
landscapes, much like the way Japanese gardens condense vast sceneries into
intimate spaces. Early on, I began photographing landscapes, drawing
inspiration from my Swiss masters of photography (bio). Over time, my artistic journey led me in various directions, from
contemporary to travel photography. However, in 2007, I embarked on a decade-long project dedicated to my
fascination with natural scenery: The Interior Art Project. This artistic
adventure took me across the Lake Geneva region, the Alps, and several French
provinces: Provence, the Pyrenees, the Jura, seeking moments where nature and
my inner world converged (Artist
Statement).
My creative process is not about
isolated shots; each series begins with a
carefully defined concept that shapes my artistic intent. My influences
stem from literature, particularly pre- and post-Romantic French writers like
Rousseau and Baudelaire. My understanding of color is enriched by 19th-century
European painters such as J.M.W. Turner and Claude Monet. Asian art also plays
a role in my vision: the Chinese Four Masters of the Yuan Dynasty, with their
deeply felt landscapes, and the Japanese Momoyama period, known for bold
stylistic innovations. The Japanese tradition of capturing nature through
seasonal changes is especially significant, as subtle shifts in weather
transform a scene and evoke different emotions.
A Contemplative Approach
When I am in the field (Artist
Statement), I let go of thought and immerse myself in the
present moment, engaging all my senses. It is essential for me to feel part of the landscape, not just an
observer. Composition is then crafted using the natural lines and patterns
of the scene, influenced by the expressive approach of photographer Edward
Weston. Light is another key element; I seek the unique atmosphere that will
reveal the subject’s personality and capture a unique moment which will never
happen again.
From days of shooting, I carefully
select four images, sometimes eight, along with one complementary photograph,
distilling the essence of the original concept. These works do not document
specific locations in a literal way but offer
a contemplative perspective on nature’s evocative power. This openness
allows each viewer to connect with the images personally, finding reflections
of their own emotions and aspirations. The poetic quality of these pieces makes
them an ideal gift. When displayed, they harmonize
with interior spaces, shaping the
ambiance and adding a quiet artistic statement. Though each image stands alone
as a work of art, a series of four achieves its full expressive potential when
presented together. For this reason, when an entire four-image concept is
acquired, the fourth piece is offered as a gift.
Shaping the Seasons
into Collectors Prints
I work exclusively with medium-format
chromogenic film, no digital, no
Phoshop. This choice allows me to capture the subtle nuances of natural
patterns and the infinite variations of light with exceptional fidelity. My
camera’s viewfinder is cropped to a 16:9 ratio, offering a more dynamic
composition than the near-square format of traditional medium-format film. This
elongated proportion integrates seamlessly into interior spaces, enhancing the
perception of openness. My prints are produced using Durst Lambda technology on
chromogenic paper, renowned for its rich, delicate color rendering. They are
then mounted to museum standards by Pictorial Service in Paris, a historic
institution in photography. Each
photograph is strictly limited to 30 prints, regardless of size, and is individually trackable with an Arttrust™
seal (see Art
Prints). These exclusive
works are available only through this website.
Many collectors first discover my work
through a friend’s recommendation after seeing a print in someone’s home. I
deeply appreciate this personal connection. As a collector, if you share my
work with a friend, a special thank-you gift awaits you.
My website follows the rhythm of the seasons, with new series published on September 21 and March 21 (have a look at the new season). I also share two images a week on social media (see footer), by which I also like to connect and interact with my audience. Thank you for visiting my gallery. I look forward to continuing this conversation with you on Facebook or Instagram.